Thursday, August 15, 2013
The History of A Passion IX: Aretha Franklin
...god is tryin' to tell you somethin'...
Q. Jones
***************
Where does one begin in an analysis of a domineering talent? Perhaps with the individual's roots, their origin, their enigmatic essence? Well, in such a case we will start there with the inheritance of a gift, a role in the grand scheme of the almighty. Behold, the Queen of Soul...
Aretha Franklin, dubbed the Q.O.S. as and is still most deserved, began her career out of Detroit. Known as Motown for its factories of automobiles and superstars. 1967 was the year that unleashed this vocal volcano across the planet with hits like, "Respect, and "Think." She was without a doubt a voice that k.o.'ed all popular contention.
Even if her prolific future would encapsulate Top 40 radio, musicologists and purists of all musical likes and dislikes had little to no choice in the matter that Franklin although cast into a mold of "Pop" harnessed a spiritual dominance that I believe any human capable, but few, few can achieve with such controlled finesse.
*****************
I think it was my brother who gave me the Aretha Franklin cd box set. At first I was a bit indifferent, but after opening it up and actually devoting some time to listening obviously I was hooked. This lady can master any genre. Spiritual, gospel, rock-n-roll, pop, blues, etc....and now in 2013 seems to be winding down, but with awards and honors from the young and the old. Seriously, with many, many Grammies under her belt and is a member of every Hall of Fame that exists for music. Her music is very dear to me and definitely in my Top 10 Favorite Female Vocalists.
*********************
From the perspective of someone who cherishes the gift of a natural born vocalist...and has had no choice in devoting conscious and subconscious time to studying and mastering the craft of "learning how to sing from scratch" that I can truly say that Franklin upholds a standard that is very high, perhaps the highest...however, critical for anyone, anyone who wishes to be able to sing. Aretha has this particular delivery that singles her out from the rest of the pack. It is this calm, cool, and collected disposition as if when she is singing she is at total peace with her body and voice. I say this because I know from experience that one's body can actually hinder your vocal abilities. If you are nervous or under any form of strain mentally or physically it will affect your throat. Franklin never really allowed any such stress to interfere with her singing. Until now. She is older obviously and her weight is an issue. In her prime you could say she was like a machine...something with so much tireless power. But folks, that is where the beauty is...in and of itself...because she is not a machine...and in my world...always a divine force.
Praises.
******************************
Technicalities:
Style: Explosive
Vocal Range: Low register(G2-E3)
Chest(C5-D6)
Head Voice(A5-E6)
Projection: ....if the globe had corners...
Notable Tracks:
http://www.youtube.com/watch?v=MRWSOSeuO4w
http://www.youtube.com/watch?v=WzRA9UzuU8c
http://www.youtube.com/watch?v=D3zBYPzDd-Q
Sunday, May 26, 2013
History of A Passion VIII: Bob Marley
"...Don't believe the devil...don't believe his book...but the truth is not the same without the lies he made up...don't believe in excess...success is to give...don't believe in riches but you should see where I live...I-n-I believe in love..."
-Bono
"Tribute to the man called Bob Marley...tribute to the musical hero...the king of reggae..."
-Prince Fari
Music is my religion. So, when I listen, I, most certainly am praying. This occurs often. In all honesty I can remember specific moments in time when I purchased particular albums, heard certain artists for the first time---Almost to the day and to the hour of my life. However, when it comes to Mr. Marley, I can only place the approximate year when all of a sudden, the majority of my time was DEVOTED to listening to Bob. Of studying and becoming an absolute aficionado because his music is that good. Not only did I become an expert on the Marley discography, I quickly figured out how to sing the songs. I can sing any Marley song with an ease and finesse that could only be explained by the connection I feel to Marley's songs by way of an unquestionable certainty that this man was a blessed individual outright. And the strength of faith I gathered from his words proved to me that if there ever was a doubt in my heart that God existed...it was no longer.
Falling in love had a new meaning for me. I was head over...immersed in a scenario that encapsulated freedom and salvation...wisdom and humility...strength and gentleness...a shelter in the storm. Not exactly sure where I got my first Marley album or which one it was, but probably just copied some tracks from my brother's collection. And probably were the main Marley go-to's. "No woman, no cry, Is this Love, Buffalo Soldier." Listening to those hits soon tired and I was on to the real breadth of Marley's body of work. At any rate, my favorite Marley album is, "Survival." Start to finish--absolute masterpiece. And my favorite song isn't even on that album!(So Jah Seh-"Natty Dread) It would be too difficult to place the other albums in any kind of order by personally rating them from favorite to least favorite. This account is just a slice of my personal experience with Bob Marley.
"...To the rescue.....here I am...."
Sunday, April 21, 2013
Diamanda Galas: History of a Passion VII
"People with intelligence will use it to fashion things both true and false and will try to push through whatever they want with their clever reasoning. This is injury from intelligence. Nothing you do will ever have effect unless you use truth."
-Hagakure
------------------------------------------------------------------------------------------------
The Game Changer
I had a roommate once upon a time that had just as much of a passion for music that I do. We became good friends. One day he was listening to this singer that sounded like a devil worshipper. I was scared sh**tless. I was like who the "F" is that? He explained she wasn't a devil worshipper, but a singer with a unique voice. At first, I could not wrap my ears around this cacophonous noise. Diamanda Galas, as was the singer in question sounded like a cat being strangled. I was like, dude! please shut that off! He did, but told me to listen to some of it when I had time. Slowly, I tried to warm up to her, trying to figure out where this seemingly crazy person was coming from. It was a bit of a process, but I found her to be quite intetesting in fact. She wasn't worshipping the devil at all. Her style was one that it was like she was taking all the pain in the world, channeling it through her own body and singing so hard as to get it out and be cleansed.
Sure enough Galas was giving a performance shortly after my discovery of her and my roommate and I were bound. The show was being held in Berkeley, Ca. at Zellerbach Hall(Univ.of Ca@Berkeley) which happens to be one of the finest concert halls in the world. It is known and widely respected for its acoustics. Only wood and soft fabrics allowed in the hall. So, we ventured across the Bay from SF that night and once we were at the hall found our seats in the nosebleed section which was o.k. because the hall is small enough to experience the full effects of the music. Galas appeared and it her solo voice and piano. The piano had this intense sound effect device hooked up to it which made each key sound like an organ in a haunted house, but a little cleaner meaning the notes would echo in reverberation. Galas began to sing with mild intensity that would slowly but surely build and build and build into what would become a volcanic eruption. Meanwhile, I could not think of anything else as this singer began to unravel the coil of my soul little by little. Such artistic vision has but one goal anyway. Not to be loved like a best friend, but to own you like samurai to their master. After a few songs, Galas' talents became without warning apparent. Her vocal style is in a category of its own and hence very difficult to describe. However, I will say based onmy own opinion that although she does sustain an operatic status she can quite successfully incorporate different tones in a single breath. This technique is similar to that of the Tuvan throat singers.
Basically, my mind is being blown at this point. Vocal ability is something that pretty much dominates my attention. Iy goes beyond entertainment, it goes beyond art, it goes beyond love. It isn't a part of my soul. It is my soul. Galas' particular ability looked me in the face and said, "Your eyes were open...but now you can see." Towards the end of the show, rendered speechless, Galas starts in on a song that had this bizarre underlying pop music feel to it. I started thinking to myself...this is a cover!....but she has it reconstructed into her style. I was standing there wondering and straining to figure out what it was and then she sang one line very slowly that enabled me to decipher the track. "My World is Empty Without You."--The Supremes. Yes.
She is unbelievably righteous. My roommate and I left totally mesmerized. I had never experienced such a performance before and certainly not one with such an intense innovative vigor. I proceeded to buy up all of Galas' discography because I wanted to begin to study this one closely. This my friend's was the game changer. I felt reborn.
Technicalities:
Style: Demonic Opera
Vocal Range: 4 Octaves
Projection: YOU
"Praise the warrior and master...."---dg
http://www.youtube.com/watch?v=BrDwpp7BeR8
http://www.youtube.com/watch?v=KzWVWY5QUzg
Tuesday, March 6, 2012
History Of A Passion VI: U2
U2
"Faith is taking that first step
even when you cannot see the
whole staircase."
MLK
-----------------------------------------------------------
3rd grade. Standing in line waiting to return to the classroom from lunch. Walkman on. 93.7. "Two Hearts Beat as One," begins. Suddenly I was standing on a mountaintop beside God. I'd heard of U2 before, but that was the first time I was having them piped into my ears solely in a room full of 100 grammar schoolers. It felt like the world stopped and a love had just been born.
Then cable television blew across America along with it: MTV. That was a marvelous time for music-The 80's. Feels like it was the best of all within the evolution of music. I am sure every music lover feels that way about whatever decade they began to grow up in(If so, here's mine). As MTV became the ultimate game changer in the world of music, U2 was right in the middle of it. The world saw bands performing on television before, but now it was obviously videos that were being showcased, categorized, and repeated with scrutiny. You could now watch the bands you liked in this sort of theatrical medium with costumes and makeup.
The music actually began to develop quite the mystique. The videos had to have a director of some sort and it was through their eyes that caused us to change how we felt about the actual music. We weren't just listening anymore...we were watching with an intentional anticipation. It wasn't just audio...now it was visual. It is very important to discuss MTV because it was a definitive factor in the worldwide musical phenomenon we call U2.
Due to their prolific and almost god-like influence over millions of music fans, it is a given that they have been interviewed, analyzed, criticized, and possibly ostracized for their global effect on millions of human beings. I intend on discussing their musical efforts(albums) and accomplishments, but my words will describe(as in all my posts) what their music means to me...personally and the inspiration and sometimes inadvertant guidance that it has provided me over the years.
-----------------------------------------------------------
Bono Vox-lead vocals, lyricist
The Edge-lead guitar, lyricist
Larry Mullen, Jr.-drums
Adam Clayton-Bass
-----------------------------------------------------------
What I find kind of amusing is that not until I was older did I first hear someone describe them as a Christian rock band. I knew what that meant, but never thought of U2 as that. I could decipher some of their lyrics that definitely pointed towards some version of a faith, but it just didn't seem really in the foreground at all...I mean as the only topic. I just thought that they were a bunch of guys who believed in God(as many do) and drew strength and determination from that belief to use their creativity as a catalyst for addressing other pressing worldy issues. Seen. I do not find them evangelistic, bombastic, or any of the like. They are taking their particular faiths and channeling them into their art with love and soul to form an artistic expression. I don't think they say believe this, believe that...they are saying this is what I believe.
-----------------------------------------------------------
The Music
I read one critic once break down what he thought were U2's masterpieces. Joshua Tree, Achtung Baby, Zooropa? Whaaaaaaaaaaaat? Really? How in the dark are you? I wondered. Are you just a writer who happens to like music? Or are you a music fanatic who happens to be a writer?
-----------------------------------------------------------
The Masterpieces
Boy
Sometimes when one develops a deep admiration for something(music in this case) it can penetrate the subconcious with its meaning wherein only the two can agree on its effect. "Boy," U2's debut album focuses on themes of adolescence and the frustrations that that era of one's life can present. I suppose my subconcious strongly related to these ideas, thoughts, and feelings quite actually without my complete knowledge. This is my favorite U2 album. Perhaps not their best, but nevertheless one I will always cherish. It's classics include, "I Will Follow," Out of Control," and "Electric Co."
The Unforgettable Fire
In my opinion this is U2's absolute masterpiece. It is quintessential U2. If there is a U2 fan out there somewhere who doesn't like this album, they are not a real fan. This is the album where when recorded U2 had already generated a large following and upon its release sent them to the edge of what seemed like a volcano about to erupt...its lava on the brink of umleashing itself onto the earth taking out anything in its path.(hence, the name?)
This one employed different producers than previous albums. "Boy, October, and War" were more in the rock genre. Unforgettable Fire began production with Brian Eno and Daniel Lanois who were known for their deeply lush instrumentational brilliance and soothing vocalities. Maybe U2 in the mid-80's and deeply rooted in their rock-nuances were about to shock fans with such a dramatic turn of style, however, I believe it was these producers who as only bonafide musicians could-saw in these lads something reflected in themselves which was a genuine talent that necessitated ALL possible avenues of musical creation. As well as the grace of God. Hallelujah. U.Fire's most well known tracks include, "Pride(In The Name of Love), Sort of Homecoming, and Bad."
The Joshua Tree
JT saw the retainment of Eno and Lanois. Rightly so. Apparently the group felt comfortable with these two overseeing the development of their art. Undoubtedly U2's most recognized work, it still didn't resonate with alot of their fans. The diehards found it way too stylistic of pop music. Looking back I think I was one of those diehards who were almost resentful that they had entered the realm of pop superstardom. It was like where were our rebellious and controversial boys from Dublin who sang about the trials and tribulations in Ireland and the rest of the world? Alot of us just didn't quite get it...these la-ti-da songs. They were labeled as sellouts and lost a large part of one particular area of their fan base only to gain another...the pop fan. At any rate, for the band as artists I believe it is still a masterpiece...pop-ish or not.
-----------------------------------------------------------
"The swift don't win the race.
It goes to the worthy,
who can divide
the word of truth."
Bob Dylan
"Faith is taking that first step
even when you cannot see the
whole staircase."
MLK
-----------------------------------------------------------
3rd grade. Standing in line waiting to return to the classroom from lunch. Walkman on. 93.7. "Two Hearts Beat as One," begins. Suddenly I was standing on a mountaintop beside God. I'd heard of U2 before, but that was the first time I was having them piped into my ears solely in a room full of 100 grammar schoolers. It felt like the world stopped and a love had just been born.
Then cable television blew across America along with it: MTV. That was a marvelous time for music-The 80's. Feels like it was the best of all within the evolution of music. I am sure every music lover feels that way about whatever decade they began to grow up in(If so, here's mine). As MTV became the ultimate game changer in the world of music, U2 was right in the middle of it. The world saw bands performing on television before, but now it was obviously videos that were being showcased, categorized, and repeated with scrutiny. You could now watch the bands you liked in this sort of theatrical medium with costumes and makeup.
The music actually began to develop quite the mystique. The videos had to have a director of some sort and it was through their eyes that caused us to change how we felt about the actual music. We weren't just listening anymore...we were watching with an intentional anticipation. It wasn't just audio...now it was visual. It is very important to discuss MTV because it was a definitive factor in the worldwide musical phenomenon we call U2.
Due to their prolific and almost god-like influence over millions of music fans, it is a given that they have been interviewed, analyzed, criticized, and possibly ostracized for their global effect on millions of human beings. I intend on discussing their musical efforts(albums) and accomplishments, but my words will describe(as in all my posts) what their music means to me...personally and the inspiration and sometimes inadvertant guidance that it has provided me over the years.
-----------------------------------------------------------
Bono Vox-lead vocals, lyricist
The Edge-lead guitar, lyricist
Larry Mullen, Jr.-drums
Adam Clayton-Bass
-----------------------------------------------------------
What I find kind of amusing is that not until I was older did I first hear someone describe them as a Christian rock band. I knew what that meant, but never thought of U2 as that. I could decipher some of their lyrics that definitely pointed towards some version of a faith, but it just didn't seem really in the foreground at all...I mean as the only topic. I just thought that they were a bunch of guys who believed in God(as many do) and drew strength and determination from that belief to use their creativity as a catalyst for addressing other pressing worldy issues. Seen. I do not find them evangelistic, bombastic, or any of the like. They are taking their particular faiths and channeling them into their art with love and soul to form an artistic expression. I don't think they say believe this, believe that...they are saying this is what I believe.
-----------------------------------------------------------
The Music
I read one critic once break down what he thought were U2's masterpieces. Joshua Tree, Achtung Baby, Zooropa? Whaaaaaaaaaaaat? Really? How in the dark are you? I wondered. Are you just a writer who happens to like music? Or are you a music fanatic who happens to be a writer?
-----------------------------------------------------------
The Masterpieces
Boy
Sometimes when one develops a deep admiration for something(music in this case) it can penetrate the subconcious with its meaning wherein only the two can agree on its effect. "Boy," U2's debut album focuses on themes of adolescence and the frustrations that that era of one's life can present. I suppose my subconcious strongly related to these ideas, thoughts, and feelings quite actually without my complete knowledge. This is my favorite U2 album. Perhaps not their best, but nevertheless one I will always cherish. It's classics include, "I Will Follow," Out of Control," and "Electric Co."
The Unforgettable Fire
In my opinion this is U2's absolute masterpiece. It is quintessential U2. If there is a U2 fan out there somewhere who doesn't like this album, they are not a real fan. This is the album where when recorded U2 had already generated a large following and upon its release sent them to the edge of what seemed like a volcano about to erupt...its lava on the brink of umleashing itself onto the earth taking out anything in its path.(hence, the name?)
This one employed different producers than previous albums. "Boy, October, and War" were more in the rock genre. Unforgettable Fire began production with Brian Eno and Daniel Lanois who were known for their deeply lush instrumentational brilliance and soothing vocalities. Maybe U2 in the mid-80's and deeply rooted in their rock-nuances were about to shock fans with such a dramatic turn of style, however, I believe it was these producers who as only bonafide musicians could-saw in these lads something reflected in themselves which was a genuine talent that necessitated ALL possible avenues of musical creation. As well as the grace of God. Hallelujah. U.Fire's most well known tracks include, "Pride(In The Name of Love), Sort of Homecoming, and Bad."
The Joshua Tree
JT saw the retainment of Eno and Lanois. Rightly so. Apparently the group felt comfortable with these two overseeing the development of their art. Undoubtedly U2's most recognized work, it still didn't resonate with alot of their fans. The diehards found it way too stylistic of pop music. Looking back I think I was one of those diehards who were almost resentful that they had entered the realm of pop superstardom. It was like where were our rebellious and controversial boys from Dublin who sang about the trials and tribulations in Ireland and the rest of the world? Alot of us just didn't quite get it...these la-ti-da songs. They were labeled as sellouts and lost a large part of one particular area of their fan base only to gain another...the pop fan. At any rate, for the band as artists I believe it is still a masterpiece...pop-ish or not.
-----------------------------------------------------------
"The swift don't win the race.
It goes to the worthy,
who can divide
the word of truth."
Bob Dylan
Tuesday, January 10, 2012
The History Of A Passion V
Concrete Blonde
Summer 1988. Discovered my brother's copy of Concrete Blonde's self-titled, debut album. Listened to it over and over and over outside while painting my Mom's deck. It was a big job, but having my new companion made it a memorable and enjoyable chore. When I first saw the album I was intrigued by the band's name, "Concrete Blonde." It had to be awesome with a name like that, right? Well, it was alright from start to finish.
They are or were a standard rock band, however, frontwoman, Johnette Napolitano is by far one of the most underrated vocal phenoms. She totally overpowered the other instruments. A true force born with a talent that encompasses that little thing we call soul. Her skill didn't fully bloom until the third album. This actually happens alot with singers as they continue to develop over time and practice. The actual music of the band is o.k. compared to the reins guided by Napolitano at the microphone. The guitar parts are way too pop-ish to match the depth of its singer. I'd give the band a B. Napolitano a B+ at first then an A+ by the end of C.B.(now defunct:-()
Concrete Blonde-Debut
Tracks:
1. True--any questions?
2. Haunted Head---punky
3. Dance Along The Edge--so 80's
4. Still In Hollywood--punky
5. Song For Kim(She Said)--cute tribute
6. Beware of Darkness--George Harrison cover, brilliant
7. Over Your Shoulder--making their sound
8. Little Sister--cutesy
9. (You're the only one)Can Make Me Cry--Awww
10. Cold Part of Town--pop-ish
11. True--instrumental
12. It'll Chew You Up and Spit You Out(Still In Hollywood Re-mix)
FREE
They really got what they needed to make this album. Based on proving that they now had a loyal fan base that could only grow, I.R.S. Records stepped up and gave them the time and the concentration necessary to produce a masterpiece that would catapult them to cult superstars. My favorite.
Bloodletting
Napolitano really takes control vocally on most of the tracks on this album. "Tomorrow, Wendy," is probably one of the best songs ever written. The studio version...the live version...wow. Also, "Bloodletting,"--fun. Napolitano shines with her vocal ray of light. They made a big mark on the pop charts with, "Joey," but I wasn't a fan of that song at all until they sped it up about 10 times at one of their shows. That was awesome! I think it was at The Paradise in Boston. They did record a few more albums, but really not noteworthy.
Technicalities:
Napolitano's vocal range: Contralto
Projection: The cheap seats
Style: Rock-N-Roll
"Make it 7 or 9/California time...whoever said it was a small world...was either a liar or a fool."-JN
Summer 1988. Discovered my brother's copy of Concrete Blonde's self-titled, debut album. Listened to it over and over and over outside while painting my Mom's deck. It was a big job, but having my new companion made it a memorable and enjoyable chore. When I first saw the album I was intrigued by the band's name, "Concrete Blonde." It had to be awesome with a name like that, right? Well, it was alright from start to finish.
They are or were a standard rock band, however, frontwoman, Johnette Napolitano is by far one of the most underrated vocal phenoms. She totally overpowered the other instruments. A true force born with a talent that encompasses that little thing we call soul. Her skill didn't fully bloom until the third album. This actually happens alot with singers as they continue to develop over time and practice. The actual music of the band is o.k. compared to the reins guided by Napolitano at the microphone. The guitar parts are way too pop-ish to match the depth of its singer. I'd give the band a B. Napolitano a B+ at first then an A+ by the end of C.B.(now defunct:-()
Concrete Blonde-Debut
Tracks:
1. True--any questions?
2. Haunted Head---punky
3. Dance Along The Edge--so 80's
4. Still In Hollywood--punky
5. Song For Kim(She Said)--cute tribute
6. Beware of Darkness--George Harrison cover, brilliant
7. Over Your Shoulder--making their sound
8. Little Sister--cutesy
9. (You're the only one)Can Make Me Cry--Awww
10. Cold Part of Town--pop-ish
11. True--instrumental
12. It'll Chew You Up and Spit You Out(Still In Hollywood Re-mix)
FREE
They really got what they needed to make this album. Based on proving that they now had a loyal fan base that could only grow, I.R.S. Records stepped up and gave them the time and the concentration necessary to produce a masterpiece that would catapult them to cult superstars. My favorite.
Bloodletting
Napolitano really takes control vocally on most of the tracks on this album. "Tomorrow, Wendy," is probably one of the best songs ever written. The studio version...the live version...wow. Also, "Bloodletting,"--fun. Napolitano shines with her vocal ray of light. They made a big mark on the pop charts with, "Joey," but I wasn't a fan of that song at all until they sped it up about 10 times at one of their shows. That was awesome! I think it was at The Paradise in Boston. They did record a few more albums, but really not noteworthy.
Technicalities:
Napolitano's vocal range: Contralto
Projection: The cheap seats
Style: Rock-N-Roll
"Make it 7 or 9/California time...whoever said it was a small world...was either a liar or a fool."-JN
Monday, January 9, 2012
The History of A Passion IV
Sinead O'Connor
"She pictures the broken glass
She pictures the steam
She pictures a soul
With no leak at the seam."
-peter gabriel
Innocence-lost. Devotion-eternal. An inclination of virtuosity. Within the scope of accomplished vocalists, God's world set its gaze upon such a lass that made our heads spin. The name of the one that caused such a rotation is Sinead O'Connor. It is difficult at best to pen the exact words and/or description of what Sinead did for me personally. But I will try. The feelings, the inspiration, the recognition of the importance of emotional self-sufficiency, but above all, capability.
In and of itself, Sinead's upbringing was raucous to the point of sheer rupture and to this day must endure the backlash of what we could call,"severe left-over emotional baggage." I won't dive too deep into the facts, but understand as someone who was thrust into the limelight brings with her tremendous grieving that can be read on both sleeves. It is like a rose whose petals have died and been swept away, but its thorns prove eternal. A thorn bush.
The Lion and the Cobra
1988. Standing in the shower with my Mom's shower radio on listening to WBCN/104.1. Out of the clear blue airwaves..."I don't know no shame...I feel no pain...I can't see the flame."-Mandinka. O'Connor's first world-wide release, and my first awareness of the possibility that I could sing like that, too. I knew it instantaneously. I felt like I'd been mirrored. This album set the thorn bush aflame. No going back.
I Do Not Want What I Haven't Got
"Nothing Compares 2 U." The first single. The third best selling single of 1990. Platinum in the U.S. in 6 weeks. Peaked at #1 in its first week on Billboard. Catapulted O'Connor to the top. Grammy winner for Best Alternative Song. Stirred much controversy from its writer, Prince. O.k. at the time Prince was already a living legend and near billionaire. Why was it that he found it necessary to begrudge O'Connor's success? Jealousy seems absurd. Mental instability? Who knows? Anyway, guess how many times she had to sing that song? Countless. There are some other great songs on the album, too. "I am Stretched on Your Grave." Sung a cappella-even better.
Am I Not Your Girl?
WOW. Sinead singing old big band pop songs...her way. The accompaniment-outstanding. Top-notch musicians put together. Definitely a grown up album. O'Connor seems to mature about 10 years with each album.
Universal Mother
Double WOW. More electronics used on this one. Fun. Heavy mixing. Love it. Actually, her last best work. Have to be choosy, however, with the listening selections.
"A lark born only for you
Who sings only to you
My love, my love, my love."
-SOC
Technicalities
Vocal Range: Soprano
G3-F5
Projection: The edge of your soul
Style: Alternative pop+traditional folk
"She pictures the broken glass
She pictures the steam
She pictures a soul
With no leak at the seam."
-peter gabriel
Innocence-lost. Devotion-eternal. An inclination of virtuosity. Within the scope of accomplished vocalists, God's world set its gaze upon such a lass that made our heads spin. The name of the one that caused such a rotation is Sinead O'Connor. It is difficult at best to pen the exact words and/or description of what Sinead did for me personally. But I will try. The feelings, the inspiration, the recognition of the importance of emotional self-sufficiency, but above all, capability.
In and of itself, Sinead's upbringing was raucous to the point of sheer rupture and to this day must endure the backlash of what we could call,"severe left-over emotional baggage." I won't dive too deep into the facts, but understand as someone who was thrust into the limelight brings with her tremendous grieving that can be read on both sleeves. It is like a rose whose petals have died and been swept away, but its thorns prove eternal. A thorn bush.
The Lion and the Cobra
1988. Standing in the shower with my Mom's shower radio on listening to WBCN/104.1. Out of the clear blue airwaves..."I don't know no shame...I feel no pain...I can't see the flame."-Mandinka. O'Connor's first world-wide release, and my first awareness of the possibility that I could sing like that, too. I knew it instantaneously. I felt like I'd been mirrored. This album set the thorn bush aflame. No going back.
I Do Not Want What I Haven't Got
"Nothing Compares 2 U." The first single. The third best selling single of 1990. Platinum in the U.S. in 6 weeks. Peaked at #1 in its first week on Billboard. Catapulted O'Connor to the top. Grammy winner for Best Alternative Song. Stirred much controversy from its writer, Prince. O.k. at the time Prince was already a living legend and near billionaire. Why was it that he found it necessary to begrudge O'Connor's success? Jealousy seems absurd. Mental instability? Who knows? Anyway, guess how many times she had to sing that song? Countless. There are some other great songs on the album, too. "I am Stretched on Your Grave." Sung a cappella-even better.
Am I Not Your Girl?
WOW. Sinead singing old big band pop songs...her way. The accompaniment-outstanding. Top-notch musicians put together. Definitely a grown up album. O'Connor seems to mature about 10 years with each album.
Universal Mother
Double WOW. More electronics used on this one. Fun. Heavy mixing. Love it. Actually, her last best work. Have to be choosy, however, with the listening selections.
"A lark born only for you
Who sings only to you
My love, my love, my love."
-SOC
Technicalities
Vocal Range: Soprano
G3-F5
Projection: The edge of your soul
Style: Alternative pop+traditional folk
Wednesday, December 28, 2011
The History Of A Passion III
PJ Harvey
My friends are always telling me that my taste in music is very raw and intense. Perhaps. And perhaps I am raw and intense. So, that would just explain my taste in music, I guess. We arrive at PJ Harvey. Now, PJ Harvey is the name of the band, and the name of the girl behind it all is Polly Jean Harvey. I just want to make that clear because my adoration for this singer runs very deep. She doesn't like to be called PJ. And I want the full respect that she deserves noted.
The first single introducing her to the world was called, "Sheela-Na-Gig." Looking back it is not my favorite song, but it was that song that confirmed that in the 90's, a female from England was about to set a new standard. Polly's arrival upon the music scene was like a supernova that took up tenancy in the galaxy and shines with the flare of brilliance onto all that has the ability to gaze upwards and inwards. It is pure rock coming from the voice and an era believed to be quite forgotten. This girl, the mastermind behind ALL the songs, began to invite us into what was her interpretation of the conglomerate we call rock music. The chords, melodies, progressions are standard and catchy, but add a singer who has the ability to not only catch your ear, but your full attention. She is not the most intense of singers, but she is definitely up there in the rankings as raw and powerful. I will love this one until death.
DRY
Debut 1992
Not quite the later masterpieces that were to come, but now she had her shot-her audience. The beginning of what was to become a musical dynasty.(3+albums that are stellar workings of a true artist) The last song on this album entitled, "Water," in my opinion is one of the most beautiful songs ever written. After listening to it in its entirety, I remember saying, "I think that is the best song ever written." I didn't just think it-i said it out loud. It was a true awakening.
Rid of Me
Good God, woman. Polly's sophomoric effort. On a scale of 1-100, this one is about 1,000. Each and every track reeling with the essence of a songstress on a mission. Although, difficult to describe what gives these songs their oh je ne sais quoi, for any rock musician or fan of, listening is imperative. Could be a broken heart, a crushed dream, or a simple burning with the fuel of sheer soul.
4-Track Demos
An album of acoustic outtakes from the recording of "Rid of Me." Also, with a couple extra songs-one of which I think happens to be my favorite only able to surmise after these last years-"Goodnight." Polly paints this album with invaluable strokes of a genius. The voice, the guitar, the lyrics, etc. You can gauge the authenticity in the acoustic versions as where she saw her music going and as always what a polished studio rendition of an idea will produce. I, personally believe if done correctly, studio management is itself an artform. There are few "studio artists" on the scene anymore with all the latest technology seemingly taking over the touch or the ear of an actual human.
To Bring You My Love
Alright people, put whatever it is you are holding in your hand at the moment down and sit down. This album is one of those that will lift you up, bring you down, break your heart-rip it right out of your chest, stomp on it on the ground and then kiss you goodnight. On our scale of 1-100. 1,000,000. Polly's finest. It did, however, sort of break away for a moment from her down and dirty guitar and voice twanging pre-efforts lending itself to a more tightly knit page of prose if you will with smoother edges. Regardless, this album catapulted her into a cult icon. Thank Goodness.
Dance Hall At Louse Point
Beauty, beauty, beauty. She reverts on some of the tracks to the harder edged-Polly that we were first introduced to. She collaborates on this one with friend, John Parish. It is special because it would be the last album that quite frankly was more good than bad. Oh, Polly, where hast thou gone? Pick it up-it is worth the listen.
Technicalities:
Vocal Range:
Diffilcult to gauge, mezzo-soprano-contralto
Projection:
Your insides
Style:
Pure rock-n-roll
Difficult to gauge
My friends are always telling me that my taste in music is very raw and intense. Perhaps. And perhaps I am raw and intense. So, that would just explain my taste in music, I guess. We arrive at PJ Harvey. Now, PJ Harvey is the name of the band, and the name of the girl behind it all is Polly Jean Harvey. I just want to make that clear because my adoration for this singer runs very deep. She doesn't like to be called PJ. And I want the full respect that she deserves noted.
The first single introducing her to the world was called, "Sheela-Na-Gig." Looking back it is not my favorite song, but it was that song that confirmed that in the 90's, a female from England was about to set a new standard. Polly's arrival upon the music scene was like a supernova that took up tenancy in the galaxy and shines with the flare of brilliance onto all that has the ability to gaze upwards and inwards. It is pure rock coming from the voice and an era believed to be quite forgotten. This girl, the mastermind behind ALL the songs, began to invite us into what was her interpretation of the conglomerate we call rock music. The chords, melodies, progressions are standard and catchy, but add a singer who has the ability to not only catch your ear, but your full attention. She is not the most intense of singers, but she is definitely up there in the rankings as raw and powerful. I will love this one until death.
DRY
Debut 1992
Not quite the later masterpieces that were to come, but now she had her shot-her audience. The beginning of what was to become a musical dynasty.(3+albums that are stellar workings of a true artist) The last song on this album entitled, "Water," in my opinion is one of the most beautiful songs ever written. After listening to it in its entirety, I remember saying, "I think that is the best song ever written." I didn't just think it-i said it out loud. It was a true awakening.
Rid of Me
Good God, woman. Polly's sophomoric effort. On a scale of 1-100, this one is about 1,000. Each and every track reeling with the essence of a songstress on a mission. Although, difficult to describe what gives these songs their oh je ne sais quoi, for any rock musician or fan of, listening is imperative. Could be a broken heart, a crushed dream, or a simple burning with the fuel of sheer soul.
4-Track Demos
An album of acoustic outtakes from the recording of "Rid of Me." Also, with a couple extra songs-one of which I think happens to be my favorite only able to surmise after these last years-"Goodnight." Polly paints this album with invaluable strokes of a genius. The voice, the guitar, the lyrics, etc. You can gauge the authenticity in the acoustic versions as where she saw her music going and as always what a polished studio rendition of an idea will produce. I, personally believe if done correctly, studio management is itself an artform. There are few "studio artists" on the scene anymore with all the latest technology seemingly taking over the touch or the ear of an actual human.
To Bring You My Love
Alright people, put whatever it is you are holding in your hand at the moment down and sit down. This album is one of those that will lift you up, bring you down, break your heart-rip it right out of your chest, stomp on it on the ground and then kiss you goodnight. On our scale of 1-100. 1,000,000. Polly's finest. It did, however, sort of break away for a moment from her down and dirty guitar and voice twanging pre-efforts lending itself to a more tightly knit page of prose if you will with smoother edges. Regardless, this album catapulted her into a cult icon. Thank Goodness.
Dance Hall At Louse Point
Beauty, beauty, beauty. She reverts on some of the tracks to the harder edged-Polly that we were first introduced to. She collaborates on this one with friend, John Parish. It is special because it would be the last album that quite frankly was more good than bad. Oh, Polly, where hast thou gone? Pick it up-it is worth the listen.
Technicalities:
Vocal Range:
Diffilcult to gauge, mezzo-soprano-contralto
Projection:
Your insides
Style:
Pure rock-n-roll
Difficult to gauge
Monday, September 26, 2011
The History Of A Passion II
PIXIES
Four piece standard rock band. Black Francis: Lead vocals, guitar, lead lyricist. Kim Deal: Bass. David Lovering: Drums. Joey Santiago: Lead guitar. In the early 1990's, the Pixies were the band to follow. Even after they disbanded in 1993. The music carried on from house to house...car to car. Their popularity could quite possibly be even greater today as many other, newer bands have cited the Pixies as a significant influence. They have been noted as having Boston as their origin.(refer to my Throwing Muses post and my description of the Boston music scene which includes the Pixies) However, Boston is where they went to gig. They formed at UMass while attending.
This must be duly noted that Black Francis is a musical genius. Fact. The last album was indicative of an unfortunate but eventual split of the band. One can surmise that the members were not seeing eye to eye because of the lack of musical cohesion and fluidity of sound that had been so explosive on prior albums. Francis could not make everyone happy as leader. It happens. He did go on to produce a few solo projects, but really they could not compare to the ingenuity of Pixies phenomena.
Kim Deal...Bassist and sometime vocal contributor herself was a major influence on the success of the Pixies edge. Unfortunately, struggled and continues to struggle with substance abuse rendering her talents well-wasted. She did come out with a few solo pieces as well that were huge college radio successes, but then fell flat. Long after this work, I went to see Deal perform and it was mediocre at best. So sad about us......
TECHNICALITIES:
Black Francis
Vocal Range:
Tenor
C3-C5
Never goes low(bass)
Let alone--baritone, but brilliantly uses his natural vocal ability to
rise and fall within the tenor range
Kim Deal
Contralto
F3-F5
Projection:
Aliens+the alienated
Style
Pure Rock
Album Breakdown:
Come On Pilgrim 5 stars
"On the launchpad..."
Surfer Rosa 4 stars
"Blast off....."
Doolittle 3 stars
"Hovering in space..."
Bossanova 5 stars
"Ultimate soundtrack to life in space...."
Trompe Le Monde 2 stars
"Back to earth like meteor-style...messy...."
-------------------------------------------------------
"Something just snapped...and I think it was my brain. Now I'm on an edge between the sunshine and the rain."
Four piece standard rock band. Black Francis: Lead vocals, guitar, lead lyricist. Kim Deal: Bass. David Lovering: Drums. Joey Santiago: Lead guitar. In the early 1990's, the Pixies were the band to follow. Even after they disbanded in 1993. The music carried on from house to house...car to car. Their popularity could quite possibly be even greater today as many other, newer bands have cited the Pixies as a significant influence. They have been noted as having Boston as their origin.(refer to my Throwing Muses post and my description of the Boston music scene which includes the Pixies) However, Boston is where they went to gig. They formed at UMass while attending.
This must be duly noted that Black Francis is a musical genius. Fact. The last album was indicative of an unfortunate but eventual split of the band. One can surmise that the members were not seeing eye to eye because of the lack of musical cohesion and fluidity of sound that had been so explosive on prior albums. Francis could not make everyone happy as leader. It happens. He did go on to produce a few solo projects, but really they could not compare to the ingenuity of Pixies phenomena.
Kim Deal...Bassist and sometime vocal contributor herself was a major influence on the success of the Pixies edge. Unfortunately, struggled and continues to struggle with substance abuse rendering her talents well-wasted. She did come out with a few solo pieces as well that were huge college radio successes, but then fell flat. Long after this work, I went to see Deal perform and it was mediocre at best. So sad about us......
TECHNICALITIES:
Black Francis
Vocal Range:
Tenor
C3-C5
Never goes low(bass)
Let alone--baritone, but brilliantly uses his natural vocal ability to
rise and fall within the tenor range
Kim Deal
Contralto
F3-F5
Projection:
Aliens+the alienated
Style
Pure Rock
Album Breakdown:
Come On Pilgrim 5 stars
"On the launchpad..."
Surfer Rosa 4 stars
"Blast off....."
Doolittle 3 stars
"Hovering in space..."
Bossanova 5 stars
"Ultimate soundtrack to life in space...."
Trompe Le Monde 2 stars
"Back to earth like meteor-style...messy...."
-------------------------------------------------------
"Something just snapped...and I think it was my brain. Now I'm on an edge between the sunshine and the rain."
Tuesday, August 30, 2011
A History of A Passion I
Throwing Muses
I was born and raised just outside of Boston, Massachusetts. It is important to mention because at the time of my childhood, the music scene was overly abundant with talent. I also grew up about 1,000 feet from the main commuter train that runs right throught the heart of Mass. and into Boston proper. With this transportive availability I took full advantage(as soon as my Mom would let me) by taking the train there. The place to go was in Cambridge called Harvard Square. Yes, that is where Harvard University is located. All the best record stores were there...my 2 favorites were Newbury Comics(they do sell comic books, but mainly music) and Second Coming Records that specialized in bootlegs and rare imports. But, being so young at the time I did not have any money so I had to get a job to support my new hobby: collecting music.
Fast forward...3 years later with music collection establishing itself nicely...my friend and I came across a music review of this new group over lunch in the cafeteria one fine school day. It was for, Throwing Muses-"Hunkpapa." the reveiw was so-so, but I think we were drawn to the name of the band first and the title of the album second. The album title is not made up. It is actually the name of a Native American Tribe. Anyway, one of us picked it up and right then was the beginning of a deep admiration that to this day and beyond is impenetrable.
The band was formed by frontwoman, Kristin Hersh and drummer David Narcizo in 1986. They are the heart and soul of TM's lineup. There were other members, yes, but it was really these two that masterminded the crafting of their sound. One notable mention is Tanya Donnelly(Hersh's step sister) She did have some early influence on the groups production, but later left. Donnelly helped co-write some of the songs and played guitar alongside Hersh. This type of duo was unheard of! It did not exist. They, my friends, were the first: Two girls and two guitars. In addition, Donnelly wrote the band's biggest hit according to industry standards, "Not too soon." Soon after this achievement, however, she bailed and TM continued on well without her. Usually, when a significant member leaves a band it will fizzle out. Not so in this particular case because Hersh and Narcizo would keep it alive. With the next three albums in an unbelievable fashion. Probably their best works to that date(1992). The music was a little bit less la-ti-da, and more focused on a tightly knit trio of guitar, bass, and drums(vocals of course)
A classic combination.
They are still going strong today with about 10 albums under their belts. The music has changed somewhat, but that is what happens to just about all the great ones. They get older and maybe their creative drive does, too. Look at the Rolling Stones-they're like 100 years old and still touring. I just feel like when the musician has lived awhile it is evident that the artistic passion wanes.
Technicalities:
Kristin Hersh/Vocal Range:
F3-F5, A3-A5, and C4-C6
An even contralto that goes high, but never low-low
Guitar: Varies, but usually a Fender or acoustic or both
Drums: Pearl with serious cymbalization
Bass: Whatever make or model, but electric
Projection:
The Confused
Style:
Pure rock
"And a full moon rose with tears in its eyes praying for a shoulder or a cloud for a makeshift disguise."
cuidada
I was born and raised just outside of Boston, Massachusetts. It is important to mention because at the time of my childhood, the music scene was overly abundant with talent. I also grew up about 1,000 feet from the main commuter train that runs right throught the heart of Mass. and into Boston proper. With this transportive availability I took full advantage(as soon as my Mom would let me) by taking the train there. The place to go was in Cambridge called Harvard Square. Yes, that is where Harvard University is located. All the best record stores were there...my 2 favorites were Newbury Comics(they do sell comic books, but mainly music) and Second Coming Records that specialized in bootlegs and rare imports. But, being so young at the time I did not have any money so I had to get a job to support my new hobby: collecting music.
Fast forward...3 years later with music collection establishing itself nicely...my friend and I came across a music review of this new group over lunch in the cafeteria one fine school day. It was for, Throwing Muses-"Hunkpapa." the reveiw was so-so, but I think we were drawn to the name of the band first and the title of the album second. The album title is not made up. It is actually the name of a Native American Tribe. Anyway, one of us picked it up and right then was the beginning of a deep admiration that to this day and beyond is impenetrable.
The band was formed by frontwoman, Kristin Hersh and drummer David Narcizo in 1986. They are the heart and soul of TM's lineup. There were other members, yes, but it was really these two that masterminded the crafting of their sound. One notable mention is Tanya Donnelly(Hersh's step sister) She did have some early influence on the groups production, but later left. Donnelly helped co-write some of the songs and played guitar alongside Hersh. This type of duo was unheard of! It did not exist. They, my friends, were the first: Two girls and two guitars. In addition, Donnelly wrote the band's biggest hit according to industry standards, "Not too soon." Soon after this achievement, however, she bailed and TM continued on well without her. Usually, when a significant member leaves a band it will fizzle out. Not so in this particular case because Hersh and Narcizo would keep it alive. With the next three albums in an unbelievable fashion. Probably their best works to that date(1992). The music was a little bit less la-ti-da, and more focused on a tightly knit trio of guitar, bass, and drums(vocals of course)
A classic combination.
They are still going strong today with about 10 albums under their belts. The music has changed somewhat, but that is what happens to just about all the great ones. They get older and maybe their creative drive does, too. Look at the Rolling Stones-they're like 100 years old and still touring. I just feel like when the musician has lived awhile it is evident that the artistic passion wanes.
Technicalities:
Kristin Hersh/Vocal Range:
F3-F5, A3-A5, and C4-C6
An even contralto that goes high, but never low-low
Guitar: Varies, but usually a Fender or acoustic or both
Drums: Pearl with serious cymbalization
Bass: Whatever make or model, but electric
Projection:
The Confused
Style:
Pure rock
"And a full moon rose with tears in its eyes praying for a shoulder or a cloud for a makeshift disguise."
cuidada
Thursday, August 18, 2011
A Comprehensive Look At Female Pop Singers XIV
Amy Winehouse
"Black bird singing in the dead of night
Take these broken wings
And learn to fly...all your life
You were only waiting
For this moment to arise...black bird...fly.
The Beatles
It was as if a musical holocaust had disparagingly occurred. And when the smoke cleared and the dust had settled...there she was...Ms.Winehouse. With a voice and a style that was soulfully retrospect carrying us back to a place when music was so innocent and pop music so new. A time when every song was a love song. Alot of Amy's songs were in fact covers of oldies, however, reconstructed better than the originals themselves. With that voice as inviting as her sad soul was to the destruction of her body and as addictive as nicotine. She has been compared to a few other singers...Ronnie Spector, in particular. But, Spector was such a girl-singer...so one-sided. Winehouse took on a very masculine energy with her talent that commanded you to listen, and targeted everybody. I always love people's reactions to her when her songs come on. Like full on gasps and moans...even cartwheels. I love that s**t.
Technicalities:
Vocal Range:
Contralto
D3-Eb6
Style:
Achy-breaky Pop swing
Projection:
The mirror
"She's flying high, now"
"Black bird singing in the dead of night
Take these broken wings
And learn to fly...all your life
You were only waiting
For this moment to arise...black bird...fly.
The Beatles
It was as if a musical holocaust had disparagingly occurred. And when the smoke cleared and the dust had settled...there she was...Ms.Winehouse. With a voice and a style that was soulfully retrospect carrying us back to a place when music was so innocent and pop music so new. A time when every song was a love song. Alot of Amy's songs were in fact covers of oldies, however, reconstructed better than the originals themselves. With that voice as inviting as her sad soul was to the destruction of her body and as addictive as nicotine. She has been compared to a few other singers...Ronnie Spector, in particular. But, Spector was such a girl-singer...so one-sided. Winehouse took on a very masculine energy with her talent that commanded you to listen, and targeted everybody. I always love people's reactions to her when her songs come on. Like full on gasps and moans...even cartwheels. I love that s**t.
Technicalities:
Vocal Range:
Contralto
D3-Eb6
Style:
Achy-breaky Pop swing
Projection:
The mirror
"She's flying high, now"
A Comprehensive Look At Female Pop Singers IA
Christina Aguilera
Take her or leave her. I was impressed, however, when she sang, "Beautiful," from her knees. Most singers need to stand because they need their bodies fully erect to sustain the force of their voice. The ones that sit on stools and sing are pretty impressive as well. She definitely has a gift, but it is seemingly contrived. As if she's forcing it, and not allowing it to naturally flow. (I think Jennifer Hudson does this, too) I don't like it. It's like can you sing the song or not? When things are meant to be especially in an artform, it will happen on its own. We are the just the vessels that carry it to the light. Then at the Super Bowl, she forgot the words to one of the easiest songs ever. What? Thumbs down.
Technicalities:
Vocal Range:
Spinto Soprano
This would explain the notion of a contrived flow. It translates as "pushed lyric" just as I was describing before. Exactly. Technically, singers with this peculiar skill set do this on purpose in order to sing above a band or an orchestra. (where we creep back into those who are "yelling") But, girlfriend this is Pop...not Op(era) The band is so throw away when we're in this genre. Nobody cares if the guitar player is any good...they're not even listening to it.
C3-C7, and a G#6 and a G#6
4 Octaves(she actually does possess it)
Style:
Pop, of course, but wants sooooo bad to be bluesy. Uh...no.
Projection:
Another Super Bowl?
Take her or leave her. I was impressed, however, when she sang, "Beautiful," from her knees. Most singers need to stand because they need their bodies fully erect to sustain the force of their voice. The ones that sit on stools and sing are pretty impressive as well. She definitely has a gift, but it is seemingly contrived. As if she's forcing it, and not allowing it to naturally flow. (I think Jennifer Hudson does this, too) I don't like it. It's like can you sing the song or not? When things are meant to be especially in an artform, it will happen on its own. We are the just the vessels that carry it to the light. Then at the Super Bowl, she forgot the words to one of the easiest songs ever. What? Thumbs down.
Technicalities:
Vocal Range:
Spinto Soprano
This would explain the notion of a contrived flow. It translates as "pushed lyric" just as I was describing before. Exactly. Technically, singers with this peculiar skill set do this on purpose in order to sing above a band or an orchestra. (where we creep back into those who are "yelling") But, girlfriend this is Pop...not Op(era) The band is so throw away when we're in this genre. Nobody cares if the guitar player is any good...they're not even listening to it.
C3-C7, and a G#6 and a G#6
4 Octaves(she actually does possess it)
Style:
Pop, of course, but wants sooooo bad to be bluesy. Uh...no.
Projection:
Another Super Bowl?
Sunday, August 14, 2011
A Comprehensive Look At Female Pop Singers XII
Jill Scott
The depth of her voice is remniscent of the traditional African-American gospel choirs. Where if she were to be a part of-she would most definitely lead. Her voice is like a halogen headlight-blinding anyone who looks into it, yet clearing the path in the darkness of the night. A moonless night. I do not usually assume the role of a follower, but I would follow this one because her brilliance exposes any threat that might manifest itself in the form of a dangerous turn. She began by doing spoken word at live poetry readings that quickly led to her musical career. She commands the microphone. When she performs there is no distortion-she is as clear as a bell. Her vocal strength rises clear above the people-even her band.
Technicalities
Vocal Range:
Full soprano
D3-E6
3 Octaves
Has hit F6(Mariah-style)
Projection:
Every direction...north, south, east, and west
Style:
Mostly R-n-B
"What I got, I paid for"
(Love Rain with Mos Def--absolute genius)
The depth of her voice is remniscent of the traditional African-American gospel choirs. Where if she were to be a part of-she would most definitely lead. Her voice is like a halogen headlight-blinding anyone who looks into it, yet clearing the path in the darkness of the night. A moonless night. I do not usually assume the role of a follower, but I would follow this one because her brilliance exposes any threat that might manifest itself in the form of a dangerous turn. She began by doing spoken word at live poetry readings that quickly led to her musical career. She commands the microphone. When she performs there is no distortion-she is as clear as a bell. Her vocal strength rises clear above the people-even her band.
Technicalities
Vocal Range:
Full soprano
D3-E6
3 Octaves
Has hit F6(Mariah-style)
Projection:
Every direction...north, south, east, and west
Style:
Mostly R-n-B
"What I got, I paid for"
(Love Rain with Mos Def--absolute genius)
Tuesday, August 9, 2011
A Comprehensive Look At Female Pop Singers XI
Sade
Ah, Sade. Nothing like a lady with golden tonsils. A wailer, but it is as if when she opens her mouth to sing liquid gold flows out in the form of song. A songbird. All the while listening to her albums and stuff and not understanding the full extent of this one's talent. Until I went to see her live. And thank God it was outside because a hall or anywhere indoors DOES NOT do her justice. Her voice has a natural reverberation that can only bounce off the sky. I brought a recording device that time because I thought, you never know. It took about half of a song to be turned on. The studio albums really take away from her fans experiencing the real gift that Sade has been bestowed. Her ability to project when a particular song calls for it is only matched in my opinion by one other pop singer live(Sinead). This is where alot of singers try to belt, but wind up yelling/screaming. I mean you can get the idea from one of the albums, but you don't really get it unless you see her live. I was like, Holy S**t.
Technicalties:
Vocal Range:
Perfect Contralto
2.4 Octaves
D3-G#5
Projection:
Her kids in the next county
Vocal Strength:
Intense
Style:
Romantically Rhythmic
"She could sing to a glacier and it would begin to melt"
Ah, Sade. Nothing like a lady with golden tonsils. A wailer, but it is as if when she opens her mouth to sing liquid gold flows out in the form of song. A songbird. All the while listening to her albums and stuff and not understanding the full extent of this one's talent. Until I went to see her live. And thank God it was outside because a hall or anywhere indoors DOES NOT do her justice. Her voice has a natural reverberation that can only bounce off the sky. I brought a recording device that time because I thought, you never know. It took about half of a song to be turned on. The studio albums really take away from her fans experiencing the real gift that Sade has been bestowed. Her ability to project when a particular song calls for it is only matched in my opinion by one other pop singer live(Sinead). This is where alot of singers try to belt, but wind up yelling/screaming. I mean you can get the idea from one of the albums, but you don't really get it unless you see her live. I was like, Holy S**t.
Technicalties:
Vocal Range:
Perfect Contralto
2.4 Octaves
D3-G#5
Projection:
Her kids in the next county
Vocal Strength:
Intense
Style:
Romantically Rhythmic
"She could sing to a glacier and it would begin to melt"
A Comprehensive Look At Female Pop Singers X
Madonna
O.k. my deal with Madonna is going to be short because I do not think that she can really sing. Strip away all the sound effects, the sound-brushing, the studio, and what do you have? Plain Jane American the billionaire who cannot sing. Here is where I draw the line between entertainers and artists. Madonna versus Lady GaGa=Entertainer v. Artist. That is just one example. With Madonna it is ALL just a big show. A circus. Where the lion tamer is coaxing a stuffed animal. Where the clowns squeezing into a two-door are like one guy squeezing into a stretch limousine. Fake. I know certain people are going to be like, but Madonna did this and this. She paved the way for her, for her, etc. Madonna was the first ever to sing and dance? Maybe the first to THINK she could sing and dance at the same time. Or lipsync? I love how we now have Madonna camps and GaGa camps. Bickering about who's better. Please. The Madonna campers are just loyals who don't really ever take the time to consider if there is any true talent inside the voice. At GaGa's circus, she'd be the girl in the box about to get sawed in half, but like really do it if she thought it would make her "Little Monsters" happy. Anyway, done with Madonna. Next, please.
Technicalities:
Vocal Range:
Minimally Contralto
1 Octave, 5 notes, and a semi-tone
E3-C#5, roughly
Style:
She-Pop
Projection:
The front row
Vocal Strength:
Surface
"I like all of one Madonna song...funny...One of her first singles, ever..."Burnin Up"
O.k. my deal with Madonna is going to be short because I do not think that she can really sing. Strip away all the sound effects, the sound-brushing, the studio, and what do you have? Plain Jane American the billionaire who cannot sing. Here is where I draw the line between entertainers and artists. Madonna versus Lady GaGa=Entertainer v. Artist. That is just one example. With Madonna it is ALL just a big show. A circus. Where the lion tamer is coaxing a stuffed animal. Where the clowns squeezing into a two-door are like one guy squeezing into a stretch limousine. Fake. I know certain people are going to be like, but Madonna did this and this. She paved the way for her, for her, etc. Madonna was the first ever to sing and dance? Maybe the first to THINK she could sing and dance at the same time. Or lipsync? I love how we now have Madonna camps and GaGa camps. Bickering about who's better. Please. The Madonna campers are just loyals who don't really ever take the time to consider if there is any true talent inside the voice. At GaGa's circus, she'd be the girl in the box about to get sawed in half, but like really do it if she thought it would make her "Little Monsters" happy. Anyway, done with Madonna. Next, please.
Technicalities:
Vocal Range:
Minimally Contralto
1 Octave, 5 notes, and a semi-tone
E3-C#5, roughly
Style:
She-Pop
Projection:
The front row
Vocal Strength:
Surface
"I like all of one Madonna song...funny...One of her first singles, ever..."Burnin Up"
Monday, August 8, 2011
A Comprehensive Look At Female Pop Singers IX
Alicia Keys
Alicia has some songs I like. She's cool. I think she works really, really hard at being a good singer. She strains, though. She hasn't relaxed enough to allow her vocal cords to do what they can really do. She can sing. However, I put her up there with Beyonce in that the genuine artistic vision is like sorely lacking. I have seen her perform and is mediocre at best. Unfortunately, inconsisentcy follows this one around like a bad habit. She performed "Empire State" with Jay-Z at an award ceremony and could not even hit her own notes. It was bizarre. And that is what we call studio auto-tuning. Why would you allow something that is not even true to be released? I mean practice until you get it. And if you can't sing it, adjust yourself to the song or vice-versa. Lame! She's clearly contralto trying to be soprano? Sorry, I am not fooled.
Technicalities:
Vocal Range:
Contralto
Bb2-B5
Experts are saying 3 Octaves? I don't think so...maybe 2.3 at best with 1 semi-tone
Vocal Strength:
Average
Projection:
A couple blocks
"Like a voice student who skipped class...alot"
Alicia has some songs I like. She's cool. I think she works really, really hard at being a good singer. She strains, though. She hasn't relaxed enough to allow her vocal cords to do what they can really do. She can sing. However, I put her up there with Beyonce in that the genuine artistic vision is like sorely lacking. I have seen her perform and is mediocre at best. Unfortunately, inconsisentcy follows this one around like a bad habit. She performed "Empire State" with Jay-Z at an award ceremony and could not even hit her own notes. It was bizarre. And that is what we call studio auto-tuning. Why would you allow something that is not even true to be released? I mean practice until you get it. And if you can't sing it, adjust yourself to the song or vice-versa. Lame! She's clearly contralto trying to be soprano? Sorry, I am not fooled.
Technicalities:
Vocal Range:
Contralto
Bb2-B5
Experts are saying 3 Octaves? I don't think so...maybe 2.3 at best with 1 semi-tone
Vocal Strength:
Average
Projection:
A couple blocks
"Like a voice student who skipped class...alot"
A Comprehensive Look At Female Pop Singers VIII
Whitney Houston
Where do I start with Houston? That's tough. Not one of my first choices on the dial, but undoubtedly a national treasure. Without question. To date, no one has perfomed the "Star Spangled Banner" better.(Super Bowl 1991) Maybe never will. I would give it to GaGa, though. I think she could do it almost as well.Everyone knows Whitney. However, not everyone likes Whitney. I admire and respect her talent and accomplishments above and beyond most. My memory can span her entire career: The beginning, the middle, the end? Unfortunately, her voice isn't where it used to be having picked up some baaaaaaaaaaaaaaaaaaaaad habits. I believe she married a demon, one straight from Hell. And when you love something whatever they do is going to seem o.k. in your eyes. You are blind. She was blinded by love-a wicked love. Everybody knows who I am referring to so I do not need to mention his name. People like that do not deserve shout outs. I am sure that there are many who would agree with me when I say that such an influence of evil better hope that we do not cross paths-in this life or the next. I strongly believe that she could bounce back if she wanted to. She could heal. It is possible. Mentally, physically, vocally. Please?
Technicalities:
Vocal Range:
Mezzo-soprano
A2-C6
3.3 Octaves
Projection:
The Congregation
Style:
(I'm giving this to you, Whit...even though you dissed my girl back in the day)
Pop-Soul
"God's mic"
Where do I start with Houston? That's tough. Not one of my first choices on the dial, but undoubtedly a national treasure. Without question. To date, no one has perfomed the "Star Spangled Banner" better.(Super Bowl 1991) Maybe never will. I would give it to GaGa, though. I think she could do it almost as well.Everyone knows Whitney. However, not everyone likes Whitney. I admire and respect her talent and accomplishments above and beyond most. My memory can span her entire career: The beginning, the middle, the end? Unfortunately, her voice isn't where it used to be having picked up some baaaaaaaaaaaaaaaaaaaaad habits. I believe she married a demon, one straight from Hell. And when you love something whatever they do is going to seem o.k. in your eyes. You are blind. She was blinded by love-a wicked love. Everybody knows who I am referring to so I do not need to mention his name. People like that do not deserve shout outs. I am sure that there are many who would agree with me when I say that such an influence of evil better hope that we do not cross paths-in this life or the next. I strongly believe that she could bounce back if she wanted to. She could heal. It is possible. Mentally, physically, vocally. Please?
Technicalities:
Vocal Range:
Mezzo-soprano
A2-C6
3.3 Octaves
Projection:
The Congregation
Style:
(I'm giving this to you, Whit...even though you dissed my girl back in the day)
Pop-Soul
"God's mic"
Sunday, August 7, 2011
A Comprehensive Look At Female Pop Singers VII: L. Boogie, Y'all
"To that of which we hold so dear,
Referring to the grace of love
That in our eyes is abundantly clear.
Wherein Heaven the door of the cage alas had sprung
And with a soul from the old upon us you flung."
cuidada
Lauryn Hill
I have never been a fan of categorizing. I wish that especially in music. Why can we not just organize everything alphabetically? However, since it does exist and the masses are playing along, oh well. There are some singers who have actually invented their own categories. Something we'll explore later...when we get into my true loves. Hill did not define herself per se...her vocal ability did. As far as we know there has never been a Lauryn Hill. She is most certainly in a league of her own or category if you must.
This one's gift made me cry. After years away from the scene, she agreed to do a Fugees Reunion for Dave Chappelle's, "Block Party." The first sight of her I welled up...the first note...borderline sobbing. It was just that it had been so long since we'd seen or heard from her. It was like seeing an old friend. One you'd been through things with. One you'd spent real time with...loving...worrying...giving...stressing...living. And then there they were again like all of a sudden.
To begin any appropriate analysis of an artist we must consider a few factors. Their age and where they're from. Hill apparently had a normal American upbringing. No serious family issues which can sometimes lead to an artist's drive. And no serious vocal training. She just tried it one day and could do it...well. She teamed up with some schoolmates who were already musicians and formed "The Fugees." It was during this formative time that she grew rapidly into her new role as an MC/singer. This led to her solo career where we arrive at "The Miseducation of Lauryn Hill." Myself and my friends from across the country who basically agreed on all things music were so young when this album was released and were fiercely protective of our musical preferences. However, deeply rooted in the alternative music scene we were all unable to deny loving this singer.
My once upon a time best friend called me up one day and all she said was, “She’s going to win album of the year, guaranteed.” At that particular time I despised any award shows and wouldn’t even read an article believing it would coerce my true opinion of an artist. Anyway, Hill did in fact win that most coveted award. Unfortunately, however, since that time and celebration of her achievement, Hill has been ravaged by the media, reprimanded by the industry, and thrust into a reclusive state. Where? Who knows. Personally, I am just sad about that occurrence. Now, though, in 2011 Hill seems to be creeping back upon us like a praying mantis whose ability hasn’t been sacrificed because of the lauders and the haters of the world alike.
Now, the gift. “Killing me Softly.” I am very passionate about this topic so I think I am allowed to be a singer-snob. Usually, I am very critical about covers that are already perfect. “Killing me Softly?” Come on. Where would easy listening be without Roberta Flack? Probably not so easy. At any rate, Go Lauryn. I think that is when I knew we were going to be witnessing a natural. This is the kind of singer that songs are written for. I can envision songwriters with their sheets of musical papery not even losing sleep because if they write a song for Hill there is no doubt it will either A. work beautifully and B. Break the ground.
Live: Free Tibet Concert Golden Gate Park 1996. Everyone was playing. Everyone. At the time The Fugees’ album, “The Score” had just been released. I mean like a week prior. So, The hype hadn’t built, yet. It was the very beginning of the festival and my friends and I were in the front row(out of a possible 100,000) because Cibo Matto was slated to appear randomly and we wanted to see them up close. They played and we were all like yay…Cibo Matto…killer. We began commenting on how we hoped the rest of the fest was as good. And within seconds out walked Lauryn(w/the Fugees). The beats began and I could not take my eyes nor my ears off of her. She out-rapped her bandmates basically leaving them in the dust. A vocal phenomenon.
Miseducation Tour 1999. San Francisco, Ca. Bill Graham Civic Auditorium. I remember people eating French fries and pizza and I was just like, “How can they eat at a time like this?” Performed, “I’m Going Down.” Mary J. Blige’s version.(Original-Rose Royce)
Miseducation Tour 1999. Shoreline Amphitheatre. Mountain View, Ca. One of the most memorable performances I have ever witnessed. That was a truly blessed time.
Technicalities:
Vocal Range:
Full Soprano
C3-F6
3.5 Octaves
Projection:
G.O.D.
Style:
So far, A Hip and a Hop
Accomplished On A Single Album:
C5-C#3-D5-A5-Bb2, “Sweetest Thing”
C5-up to F6(end of song) “To Zion”
Employs the whistle register-Mariah style)
B4, “Forgive Them Father”
D3-E3, “Hurts So Bad”
Eb3, “Miseducation”
F5, “Nothing Even Matters”
Eb5, “Ex-Factor”
“Come Back To Us”
Monday, August 1, 2011
A Comprehensive Look At Female Pop Singers VI
Lady GaGa
I have been blown away by a singer only a few times before. When I first heard this girl I thought...That's fun. But, when I discovered her acoustic piano versions of the radio hits I was blown like I had been swept up upon the gale of a hurricane. She totally deconstructed her own songs. Simply groundbreaking is an understatement. There is only one other singer on the planet who even attempted this style/technique/artistic expression.(Diamanda Galas...I'll get to her, later.) GaGa is like a cross between Madonna and Streisand. One can deliver the pop/dance and one can deliver the voice. Gaga does both. The first round of hits were like none other than sheer brilliance. They in fact catapulted her career into a realm few have visited. The pop music scene was in desperate need of a Lady GaGa. Seemingly barren of true talent these days and God was like, "Yo! I'm bored. So, here you go...GaGa." Since her arrival, pop has experienced a re-birth attracting those from all walks myself included.
Technicalities
Vocal Range:
Contralto
Approx. D3-B5
2.5 Octaves
Projection:
The Heavens
Style:
Supreme pop that can actually sing
"A chronic champion"
I have been blown away by a singer only a few times before. When I first heard this girl I thought...That's fun. But, when I discovered her acoustic piano versions of the radio hits I was blown like I had been swept up upon the gale of a hurricane. She totally deconstructed her own songs. Simply groundbreaking is an understatement. There is only one other singer on the planet who even attempted this style/technique/artistic expression.(Diamanda Galas...I'll get to her, later.) GaGa is like a cross between Madonna and Streisand. One can deliver the pop/dance and one can deliver the voice. Gaga does both. The first round of hits were like none other than sheer brilliance. They in fact catapulted her career into a realm few have visited. The pop music scene was in desperate need of a Lady GaGa. Seemingly barren of true talent these days and God was like, "Yo! I'm bored. So, here you go...GaGa." Since her arrival, pop has experienced a re-birth attracting those from all walks myself included.
Technicalities
Vocal Range:
Contralto
Approx. D3-B5
2.5 Octaves
Projection:
The Heavens
Style:
Supreme pop that can actually sing
"A chronic champion"
A Comprehensive Look At Female Pop Singers V
Mariah Carey
I have always liked Mariah. Her gift is in your face and undeniable. I've never actually owned any of her albums because she's a little too "poppish" for me. Always singing love songs and stuff, but it is how she pulls off the sappy content that caught my attention. To this day I believe that "Fantasy" is one of the best pop songs ever written. Usually, in pop music the beginning of the song is what grabs you, but it isn't until the second verse where she carries the song upward with her voice. This is highly unusual and jarring, although pleasing to the ear. There are very few examples of this occurring in a pop song. One is, "Take your Time(Do it right)" by the S.O.S. Band. The lead, Mary Davis achieves the same secondary attention grabbing technique essentially forcing listeners to really get moving.
Technicalities
Vocal Range:
G2-G7
This means 5 octaves. She may have been able to achieve this in the past, but Mariah even says that she cannot any longer. Mariah possesses the ability to employ the whistle register which in fact is known for. For those of you who aren't familiar with this term, it means carrying a high, high pitched note.
Projection:
Straight through the eardrum like a needle
Style:
Pure Pop
"Like a bird in the trees"
I have always liked Mariah. Her gift is in your face and undeniable. I've never actually owned any of her albums because she's a little too "poppish" for me. Always singing love songs and stuff, but it is how she pulls off the sappy content that caught my attention. To this day I believe that "Fantasy" is one of the best pop songs ever written. Usually, in pop music the beginning of the song is what grabs you, but it isn't until the second verse where she carries the song upward with her voice. This is highly unusual and jarring, although pleasing to the ear. There are very few examples of this occurring in a pop song. One is, "Take your Time(Do it right)" by the S.O.S. Band. The lead, Mary Davis achieves the same secondary attention grabbing technique essentially forcing listeners to really get moving.
Technicalities
Vocal Range:
G2-G7
This means 5 octaves. She may have been able to achieve this in the past, but Mariah even says that she cannot any longer. Mariah possesses the ability to employ the whistle register which in fact is known for. For those of you who aren't familiar with this term, it means carrying a high, high pitched note.
Projection:
Straight through the eardrum like a needle
Style:
Pure Pop
"Like a bird in the trees"
Sunday, July 31, 2011
A Comprehensive Look At Female Pop Singers IIIA
This is supposed to be in alphabetical order. Somehow, I managed to forget Beyonce. So, let's recap a moment. 1.Adele 2. Badu 3. Benatar 3A. Beyonce 4. Blige.
Beyonce
Beyonce. However sweet and adorable, is not the best singer to ever grace the scene. She is, though, the second most winningest female pop singer ever behind Dolly Parton with 16 Grammy's. Even if she is cleaning up at most award ceremonies I believe that she lacks true artistic vision. The one that should steer these talents toward the light. The light that is placed inside one's heart at their very moment of conception. I say this because I do respect her. Her performance of Etta James' "I'd rather go blind," in the film "Cadillac Records," is unforgettable. It was in those few moments that I recognized that light, but haven't since.
Technicalities
Vocal Range:
Mezzo-soprano
B2-C6, and 1 note
Projection:
Pop Culture
Style:
A blend of glam-pop+hip-hop
"Fun at the club;-)"
Beyonce
Beyonce. However sweet and adorable, is not the best singer to ever grace the scene. She is, though, the second most winningest female pop singer ever behind Dolly Parton with 16 Grammy's. Even if she is cleaning up at most award ceremonies I believe that she lacks true artistic vision. The one that should steer these talents toward the light. The light that is placed inside one's heart at their very moment of conception. I say this because I do respect her. Her performance of Etta James' "I'd rather go blind," in the film "Cadillac Records," is unforgettable. It was in those few moments that I recognized that light, but haven't since.
Technicalities
Vocal Range:
Mezzo-soprano
B2-C6, and 1 note
Projection:
Pop Culture
Style:
A blend of glam-pop+hip-hop
"Fun at the club;-)"
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